2026 is already full of surprises
I didn’t expect this to be the year I formally claimed something new. But sometimes the shift happens quietly before you are ready to name it.
There are things I know I’m not good at. I see lines, shapes, colors, entire compositions in my mind all the time — fully formed, layered, dimensional. But I can’t sketch them to save my life. There is a complete disconnect between what I see internally and what my hand wants to do.
For a long time, I thought that disqualified me.
It doesn’t.
Because what I am good at is different.
I am good at taking photographs and chopping them up. Pulling them apart. Rearranging them until they stop resembling the original frame. I am good at extracting what was hidden — tension, distortion, confrontation — and building something entirely new from it.
That is my language.
And so here is my announcement and my declaration:
I, Baroque Medusa, am an artist. A Visual Artist.
Not in theory. Not in aspiration. In practice.
Abstract art is where I feel most uncontained. It is the only space where distortion is allowed to breathe. Some pieces hold their weight. Some collapse. Others erupt and demand to exist.
But the thread running through all of them is constant:
Color.
Boldness.
And sometimes, solitude.
I am drawn to the kind of silence that vibrates. The kind that attracts tension instead of emptiness. The kind that does not explain itself.
This body of work has a name now.
ABSTRACT DISTORTIONS.
Because distortion is not destruction. It is reinterpretation. It is control. It is the deliberate act of choosing what remains and what transforms.
This is not a phase. It is a direction.
The Debut Collection
Today, I am releasing three Debut pieces under Abstract Distortions.
These are the first works I am formally claiming as part of my visual repertoire. They are not experiments. They are not side projects. They are the beginning of an artist’s archive.
Each piece began as something ordinary — a photograph, a fragment, a captured moment. What remains is something else entirely.
One erupts — saturated red colliding with black, restrained yet volatile.
One turns inward — intimate, abstracted, suspended in negative space.
One balances structure with distortion — color anchored in composition, tension held in symmetry.
These three pieces are my Debut.
They mark the moment I stopped quietly experimenting and started building a visual language with intention.
Some works will live exclusively on this site.
Some will be released as prints.
Some may evolve into covers, companions to prose, or something larger altogether.
Not everything requires explanation.
Abstract Distortions is about taking what existed and refusing to leave it intact. It is about power through color. It is about boldness without noise.
It is about claiming the title without waiting for permission.
This is the beginning.
— Medusa
Inferno (2026)
Contact (2026)
Saturated Offering (2026)
Baroque Medusa 
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